Eurorack Mx1602 Manual
Can anyone give me the details of the power supply unit for a Behringer Eurorack MX1602 mixer. I need to get a new one, or do some mods to accommodate a different one, but the manual doesn't give me anything regarding the power requirements. Any help appreciated. Drivers Education Classes Charlotte Nc. Behringer Eurorack MX-1602 16 Input 2 Bus Mixing Console User's Manual Book 1996 Musical Instruments & Gear, Pro Audio Equipment, Other Pro Audio Equipment eBay!
The Behringer EURORACK UB1202 is a 12-input, 2-bus mic/line mixer that boasts 4 state-of-the-art Invisible Mic Preamps (IMPs) You even get an effective, extremely musical 3-band EQ plus switchable low-cut filter on all mono channels. There is also one post-fader aux send per channel for external effects devices; main mix outputs; plus separate control room, headphone, and stereo tape outputs. Tape inputs are assignable to main mix or control room/phones outputs. The UB1202 is an extremely versatile mixer with possibilities ranging from connecting a DAT recorder and monitor speakers to running permanent video and audio installations. Serious mixing power at a price that’s practically silly. INSPECTION - The customer agrees that the equipment supplied by Able and listed below (The Equipment) is received in good working order and suitable for use and that the Renter is familiar with its operation.
On return of Equipment Able staff will inspect all items if the Renter does not wait for inspection Able Video & Multimedia may charge Renter for any damaged found during inspection. PAYMENT - The Renter agrees to pay Able rental charges until the equipment is returned in good working order and any other applicable charges specified in this agreement. LATE RETURN - The Renter agrees to return the equipment to Able’s facility on time or pay extra rental charges due on a pro rata basis. BREAKDOWN - The Renter shall notify Able Video and Multimedia of any breakdown of the Equipment and not attempt repairs. The Renter will not interfere in any way with any mechanical fittings or appliances attached to or forming part of the Equipment or, without the written consent of Able, have any repairs effected thereto by any person other than an employee of Able or such person as Able may nominate. The Renter agrees to accept Able or it’s qualified repairer’s determination as to whether the Equipment is faulty and the cause of the breakdown.
DAMAGE - The Renter agrees to pay for damage to the equipment. In the case of damage or injury (by fire, storm or through any cause whatsoever) to/by the equipment, it is agreed that the cost of repair, replacement or damages as the case may be (and any charges payable according to this agreement), shall be paid by the Renter to Able on demand. Ramones More Unreleased Tracks Rarest.
Any such charges may be deducted from a deposit (if taken) left by the Renter and the Renter shall pay the excess to Able Video and Multimedia on demand. COMPENSATION - The customer agrees to pay for the cost of equipment lost or stolen.The Customer shall also pay to Able Video and Multimedia on demand a sum equal to the rental charges which Able Video and Multimedia could have obtained for the period from the date of commencement of the rental of the equipment damaged, lost or stolen to the date of receipt by Able Video and Multimedia of Payment of the repair or replacement. INDEMNITY- The customer is responsible for accidents caused by use of the equipment.The Customer indemnifies, and keeps indemnified, Able Video and Multimedia in respect of its liability for personal injuries, property damages and any associated legal expenses arising out of any accident which might be caused by or contributed to by, or arise out of the use, operation or handling of the equipment during the term of rental. RECOVERY OF EQUIPMENT - Able Video and Multimedia has the right to recover the Equipment if charges are not paid and the renter is responsible for any costs associated with the recovery process. NO WARRANTY OR GUARANTEE – Able gives no warranty, express or implied, as to description, quality, merchantability, fitness for any particular purpose, productiveness, or any other matter of operation of the Equipment and accepts no responsibility for it’s use by the Renter. The Renter hereby waives any such remedies, warranties, guarantees or liabilities, expressed or implied, arising by law or otherwise, against Able.
GENERAL OBLIGATIONS OF CUSTOMER The customer is responsible for pickup and delivery/return from/ to Able Video and Multimedia’s facility during business hours unless otherwise stated in this agreement. The equipment shall not be considered returned until a full inventory has been completed and any missing equipment or replacements for damaged parts have been delivered to Able Video and Multimedia’s facility. The Customer acknowledges that all equipment rented remains the property of Able Video and Multimedia at all times and the Customer will not sell, charge, pledge or part with possession of the equipment. The Renter shall insure, at their expense, all the Equipment at all times during the rental, for full replacement cost and for loss of use of the Equipment. Coverage must begin from before the time the Renter takes delivery of the Equipment and continue until the time the Equipment is returned and the rental expires. The Renter shall insure for risk coverage that is greater or equal to the replacement cost of all Equipment and any rental or other charges payable under this agreement, including transit/shipping, Public & other Liability Coverage, Property Insurance and Workers Compensation Insurance, prior to taking delivery of Equipment.
Such insurance shall be written by reputable insurers. Notwithstanding this paragraph, the Renter shall remain primarily liable to Able for full performance under the terms and conditions of this Rental agreement and Able may enforce it’s remedies directly against the Renter without resort to their insurance. Upon taking taken delivery of the equipment, the Renter’s responsibility includes, but is not limited to, risks while in transit, at all locations named and unnamed, and while in use, or storage at Able Video and Multimedia’s facility. The Renter’s responsibility is discharged when the equipment is returned and the rental term has expired.
Equipment will not be deemed to have been returned until all of the following conditions have been met: 1) property has been brought back to the premises during normal business hours; 2) an inventory has been completed and a missing and damaged list has been compiled, if needed; and 3) the term of the Rental Contract has expired. The Customer acknowledges having received the equipment in good working order and condition.
The Customer may test the equipment at Able Video and Multimedia’s facility before taking delivery to ensure it is in good working order and condition prior to taking delivery. The Customer will use the equipment in a careful and proper manner and permit only skilled and experienced personnel to use the equipment and will not use the equipment in connection with any dangerous or hazardous activity.
The rack-mountable RX1602 mixer enables you to effortlessly achieve premium-quality sound, thanks to 16 ultra-low noise, balanced, high-headroom line inputs, which can be used as 8 stereo inputs, 16 mono inputs – or any combination of both. This high level of versatility makes the RX1602 ideal for use as a multipurpose mixer for both your live performances and studio recording projects. The incredible RX1602 is perfect for sub-mixing multiple keyboards, sound modules and samplers – and is an absolute “must-have” for monitoring your multitrack recording projects! So easy to use and loaded with intuitive features, the EURORACK PRO RX1602 is an invaluable addition to any recording enthusiast’s or live performer’s toolkit. The RX1602 comes equipped with all the necessary features to create the right mix for your sound.
The 16 high-headroom Inputs (8 stereo or 16 mono) can be used for individual line-level instruments or component outputs. Thanks to RX1602’s Ultra-Low Noise (ULN) high-headroom design, you can run up to 16 inputs, even at very high signal levels, without the slightest hint of clipping distortion – which means your precious audio content will exhibit the ultimate in signal integrity and absolute transparency. Each dual-input channel features individual Balance and Level controls, plus an illuminated, double-function Mute button with a built-in Clip LED to help you set the optimal signal level. You also get highly-accurate, dual 7-segment LED level meters and individual Left and Right Main Mix level controls. For further flexibility, the Monitor/FX signal is assignable to headphones. And if you need to add vocals to the mix, just connect a high-quality microphone preamplifier (such as our MIC100 or, not included) and sing to your heart’s content!
All of the RX1602 mixer’s ¼ ' TRS Inputs can be found on the rear panel, along with the L/R Main Outputs – which are ideal to send the mix to your recording device – or PA system. Use the Monitor Out Send to send the monitor bus signal to your live-performance floor monitors, or to a headphone amp in the recording studio.
Alternately, the Monitor Out Send is the best way to add FX to your mix – just connect it to your effects processor’s input, and plug its output signal back into an available input on your RX1602.