Buescher Aristocrat Clarinet Serial Numbers

Contents • • • • • • • • • • • • • • • History [ ] The company was founded by Ferdinand August 'Gus' Buescher (born Elk Township, 26 April 1861; died 29 November 1937). He accompanied his family to and then to Elkhart in 1875. In 1876 he found employment with 's fledgling band instrument factory. Buescher gained access to an original Adolphe Sax saxophone in the possession of E. Lefebvre, and Conn agreed to producing a copy of that instrument. By 1888 he was promoted to foreman and producing the first American-made saxophones for Conn.

In 1890, while still employed with Conn, he began producing band emblems at home and was setting up his own shop. In the fall of 1893 he opened the at 1119 N. Main Street which made band instruments and other metal products, in partnership with, a clothing merchant, and, a salesman. Free Download Images Of Good Morning. In March 1901 he patented a unusual in that the valves were of unequal lengths. True Tone became the trademark name for band instruments made by the Buescher Manufacturing Company. In 1903 there was a disastrous fire at Buescher's factory. Free Dstv Hacking Software.

In 1904 the business was reorganized and renamed the Buescher Band Instrument Company, reflecting its sole focus on producing band instruments. In 1916 Buescher sold a major share of his company to six businessmen including. Buescher remained president until 1919 when Beardsley assumed that title. Buescher was vice-president and general manager of the company until 21 January 1929 when he resigned these positions, remaining on staff as a consultant engineer. In 1926 Buescher Band Instrument Company was joined with the (some claim that Buescher was bought by Elkhart Band Instrument), a company founded two years previously by Beardsley with Conn's as secretary-treasurer. The 'Elkhart' brand was retained by Buescher for its second-line instruments after the company was dissolved upon Beardsley's death in 1936. Though Buescher manufactured many kinds of brass instruments, the company was known primarily for its which competed successfully with and.

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Two distinctive features of Buescher saxophones, gold-plated screw-in 'Norton' springs and snap-in pads, were introduced in the early 1920s. During the 1920s Buescher also made innovative limited production and custom models, such as the tipped-bell soprano and straight alto saxophones. Buescher stayed true to Adolphe Sax's concept for saxophone sound into the early 1930s, gaining the favor of classical saxophonist and those influenced by him. Buescher adapted its sound concept to the bigger, bolder sounds favored by dance orchestras and jazz musicians, modifying its Aristocrat model and releasing the 400 'Top Hat & Cane' model in 1941. The Aristocrat and 400 models remained popular with professional players until the mid-to-late 1950s, when instruments with more modern keywork gained favor and changes to Buescher's product line were coldly received. Buescher's presence in the professional saxophone market ended when it was acquired by the in 1963, although a nominal 'Buescher 400' model continued to be produced through the mid-1970s.

The Buescher company also produced some and between 1910 and 1920, the (also known as the 'clariphon' and the 'claribel'), a clarinet with a curved metal barrel and a curved metal bell in A, B ♭, C or E ♭. They were produced with the, and later with the. Gretsch and Supertone were merchandiser-branded 'stencils' of the Buescher Saxonette. Buescher became the main supplier of student-grade saxophones to the H&A Selmer Company, producing the vast majority of such instruments marketed under Selmer's 'Bundy' brand. The Elkhart line was continued until 1959, followed by Buescher's deprecated Aristocrat line as their offering in the student market. After Buescher was sold to Selmer, Selmer allowed the use of the Buescher trademark for products sold under Buescher's established distribution network.

During the 1970s, the market position of the Buescher Aristocrat/Selmer Bundy model declined under competition from 's more up-to-date and more efficiently produced student instruments. The Buescher brand was retired by Selmer in 1983. After the company was formed in 2003, it briefly tried to revive the Buescher brand to market Asian-made saxophones. Instrument models [ ].

This section needs expansion. You can help. (June 2008) French Horns [ ] • Single French Horn. Buescher produced a single French horn in F, with a serial # range including 259090 • Double French Horn 400 • also serial number 5000 range • Buescher Aristocrat excellent flute serial number 145941. Paulo Moreira Brazil 2014. Clarinets [ ] • Buescher oval logo HR, wooden and metal clarinets in Albert and *Boehm systems • Buescher True Tone Clarinets (possibly Penzel Mueller stencils) • Buescher 400 clarinets (Selmer era) • Buescher 'Aristocrat' Bb clarinet (Selmer era) Note: These pictures may or may not be of a clarinet made by the Buescher Band Instrument Company.

Here is another close up of the 'American Professional' emblem located on the upper section of the clarinet, just below the barrel. The engraved emblem on this clarinet shows that the brand is ' American Professional' the link below states that Buescher was the retailer of 'American Professional' instruments. Trumpets [ ] • Buescher Bb Truetone (Professional), There were a wide variety of Truetone models many custom made for the professional musician.

Louis Armstrong recorded with a Buescher Truetone 10-22R Trumpet in the late 1920s. The Aristocrat was a Truetone professional trumpet previous to the Selmer buy out and became a student horn after 1963. It was a step down from the Truetone. After the traditional Truetone trumpets were the Buescher 400 Truetone. These are more modern sounding and good for big band jazz.

There were three models. Brass with nickel, Silver plate, and silver plate with sterling silver bell called Super 400. Trombones [ ] • Buescher Grand (silverplated with goldplated bell engraving) • Buescher 400 (Early models had slanted braces on bell section and offset slide tubes with the upper slide tube roughly 2' behind the lower.

Later models had straight braces).500 bore Tubas [ ] • Buescher silver-plated military band-style upright three-valve Bb flat • Buescher silver-plated upright three-valve Eb tuba with small shank mouthpiece receiver • Buescherphones (tradename for sousaphones) Flutes [ ] • Buescher 400 • Buescher special 2000 Saxophones [ ]. This section does not any. Unsourced material may be challenged and. (July 2013) () • Early models (1894–1932): evolving and sometimes concurrently produced designs without distinct model names; True Tone trademark (not instrument model) name adopted for instruments produced by the Buescher Manufacturing Company at an unknown date prior to 1904; 'True Tone, The Buescher Mfg. Co., Elkhart, Ind.' With bell/tuning fork logo engraved on bell on pre-1904 versions, 'The Buescher, Elkhart Ind.'

Engraved on bell and 'True Tone' logo stamped on the rear of the body tube on post-1904 versions; all have split bell keys; early versions had double octave keys, metal key buttons and rollers, soldered toneholes, direct G# key action; single octave key, black hard rubber rollers introduced ca. 1905; drawn toneholes and all mother-of-pearl key buttons introduced ca.

It would depend on the age and mechanism type. The True tone serie is the professional range was made in usa by Conn. Aristocrat and other 400 were produced by Selmer Bundy usa. 1963 was the pivotal year. Two separate range; -The metal production -The wood production Uebel concerning the oehler production The 1950's production was made by Selmer France after by S.M.L (Strasser, Marigaux et Lemaire) Strasser the Financial Marigaux The Strategist Lemaire The Technician ps: Also presence of the inscription 'usa' under the mark logo. Have you any sources on that? I have also heard they were made by Penzel-Mueller.

My True-Tone, #15xxx, resembles Conns (the body rings are the Conn design), but P-M models from the '30s do, too. In fact: the Buescher 400 is a stencils to selmer usa similar to selmer signet. In contrast, the true tone is the professional range whose origin is likely from Conn and assembled from home.only the true tone range Four models was manufactured by them ( ref buescher catalog 1954): n° 760 and n° 780 ( A and B) and n°786 alto clarinet and n° 788 bass clarinet ( only true tone and the rest in outsourcing) The aristocrat is a true tone model.In the 1939 catalog 5 models:n° 780 simplified version/782 17 silver keys/783 20 silers keys and Eb/Ab level/784 17 nickels keys and 740 metal clarinet. There are a many sources which Wikipedia.

I have read that the Aristocrat and the 400 Special are essentially the same horn but the aristocrat ha a little less good wood selection and only one metal ring on the tenons while the 400 Special has all the tenons with a metal ring and supposedly has a better selection in the wood used. Anyway, I am not much of a clarinet player and this horn hasn’t been played before of me but it was clearly maintained by different technicians and possibly some folks who did school band instruments. It plays (despite my being an inapt clarinet player) rather loud, I think. Quite a bit of fun. Mine has the Buesher USA stamp the SN 130XXX (not 190 as I thought) comes in had plastic case ( I threw out the lining because it was smelling terribly!), the keys appear to be Nickel Silver.